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Eri Yamamoto

山本 絵理

“Yamamoto is excellent in producing tones with lyrical melody lines. She has mastered her own modes of expression through her great facility in various piano techniques.”


– Tami Nodaira, “Ongaku no Tomo” magazine, 2018 / 野平多美 「音楽の友」2018. 8. 抜粋

"…She completely picked the pace by “Home Trained” F. Liszt performing, she invited the audience to the euphoric world by the polished techniques and the bright beautiful tones.

Above all, the emotional tension, the scale, and the deep breathing of “Après une lecture du Dante-Fantasia quasi sonata" were the proof of the first-class pianist…."


– Takuo Ikeda, "Iketaku Honpo" 2021 / 池田卓夫 2021. 抜粋

"...A finely spun Dante Sonata from Eri Yamamoto after a scintillating Rigoletto paraphrase…."


– Christopher Axworthy 2021 / クリストファー・アックスフォージー 2021. 抜粋

“Eri had impeccable technique, of course, but what I found most satisfying and encouraging was her sensitivity to disparate. She found orchestral colors in the keyboard and most importantly allowed her instrument to breathe phrase, and sing with my clarinet for a real feeling of chamber music conversations. “


– Richard Stoltzman, the internationally known clarinetist / リチャード・シュトルツマン グラミー賞受賞クラリネッティスト

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